Ebook Dies the Fire: A Novel of the Change (Emberverse Book 1), by S. M. Stirling
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Dies the Fire: A Novel of the Change (Emberverse Book 1), by S. M. Stirling
Ebook Dies the Fire: A Novel of the Change (Emberverse Book 1), by S. M. Stirling
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The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable. What follows is the most terrible global catastrophe in the history of the human race-and a Dark Age more universal and complete than could possibly be imagined.
"Dies the Fire kept me reading till five in the morning so I could finish at one great gulp..."—New York Times bestselling author Harry Turtledove
- Sales Rank: #28578 in eBooks
- Published on: 2004-08-03
- Released on: 2004-08-03
- Format: Kindle eBook
From Publishers Weekly
What is the foundation of our civilization? asks Stirling (Conquistador) in this rousing tale of the aftermath of an uncanny event, "the Change," that renders electronics and explosives (including firearms) inoperative. As American society disintegrates, without either a government able to maintain order or an economy capable of sustaining a large population, most of the world dies off from a combination of famine, plague, brigandage and just plain bad luck. The survivors are those who adapt most quickly, either by making it to the country and growing their own crops—or by taking those crops from others by force. Chief among the latter is a former professor of medieval history with visions of empire, who sends bicycling hordes of street thugs into the countryside. Those opposing him include an ex-Marine bush pilot, who teams up with a Texas horse wrangler and a teenage Tolkien fanatic to create something very much like the Riders of Rohan. Ultimately, Stirling shows that while our technology influences the means by which we live, it is the myths we believe in that determine how we live. The novel's dual themes—myth and technology—should appeal to both fantasy and hard SF readers as well as to techno-thriller fans.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
For survivors of a mysterious event that caused electricity, internal combustion engines, and gunpowder to fail, the Pacific Northwest furnishes enough land to support subsistence existence in a future that belongs not to today's rifle-toting survivalists but to people who know older ways. Musician Juniper takes refuge on her family's land with a growing group of friends that becomes "Clan MacKenzie." Reenactors know useful things (see Jenny Thompson's War Games [BKL Je 1&15 04]), such as how to build log houses and craft bows for hunting. Meanwhile, Mike Havel, a pilot who was flying when the Change happened, and his passengers, having survived crashing in a frigid lake, gather followers, too. Thanks to a former Society for Creative Anachronism (a real organization of eclectic reenactors) fencer, and after hard work and the accident that gives their group the name "Bearkillers," they have the knowledge to sell their protective services. There are villains, too, such as a medieval history professor who starts a feudal revival, in Stirling's intriguing what-if about modern humans denied their treasured conveniences. Regina Schroeder
Copyright © American Library Association. All rights reserved
Review
"A powerful, convincing adventure with a large cast of ordinary and extraordinary people. Don't miss it." ---Harry Turtledove, New York Times bestselling author
Most helpful customer reviews
143 of 174 people found the following review helpful.
Halfway there
By Craig Clark
There is an excellent half a story in this book somewhere. The problem is wading through the other half to get there. Our two main protagonist's Mike Havel and Juniper Mackenzie are quite interesting characters. But in some ways that is a bad thing. Why you say, "aren't interesting characters the reason you read a story?" Very true, but with any novel based on fiction there is a suspension of disbelief that an author must ask of his readers. Sometimes credibility is stretched and sometimes it is shattered - much like stepping on a tourist's snow globe of Kooskia, ID.
As a Marine and resident of western Montana I was predisposed to identify with Mike Havel the character, but then I found out that Mike was former Force Recon (Sniper qualified too!), Gulf War veteran, master of the Finnish fighting knife and raised as an Indian tracker/hunter. I am not quite sure if such a person exists in reality but I am willing to go with it if the author doesn't beat me over the head with it multiple times throughout his book.
This compounds with the problem that our protagonist's very survival isn't just a matter of elite breeding and an unlikely intersection of family trees but also they happen upon expert bowyer/fletchers, horse hand/blacksmiths, and SCA guru's not to mention library's containing everything you ever wanted to know about ancient warrior societies, growing crops and mounted combat. Maybe this is necessary for an interesting story, but couldn't they just get lucky killing people instead of getting lucky knowing how to kill people?
There is also the problem with explosives, electricity, and pressurized gases. Every author does some hand waving to sell a story, Stirling backs himself into a corner with his Change and barely goes through the motions to explain it. The problem arises when fire works, hot air balloons work, gunpowder doesn't work, electricity doesn't work, and steam power doesn't work. So, burning coal to produce steam doesn't work in the same way that burning propane heats air and causes that hot air balloon to rise? I think as a reader I would allow Stirling to wave his hands and say this doesn't work, that does work, this doesn't etc. But when this is added to the string of luck of our characters on top of their already .005% of the human population backgrounds it just becomes a tedious exercise.
The final nail in the series' coffin for me was the ludicrous timeline for the fall of civilized man and the "Woah" scary bad people dynamic. First of all it is going to take a whole lot longer than a few months for people to abandon all signs of civilization and start eating each other. Will it happen? Yes most definitely, but not so quickly and certainly not to the degree of rolling around in your own filth and eating other peoples feet that is shown in the book after a month or two. This certainly is a way for Stirling to point at "baaaaaad" people which need to be bumped off in mass, but I reject that killing in any piece of fiction needs to be dumbed down in such a way.
I certainly won't be moving on to the rest of these books and depending on your tastes in fiction if you must read something post-apocalyptic I would suggest Cormac McCarthy's "The Road".
166 of 203 people found the following review helpful.
Outstanding!
By Matt McDougall
I'm a big fan of novels that take humanity and mix things up by altering the familiar scenario. Say by sending a community back in time with all their technology in tact, but with no access to the resources necessary to sustain that technology.
Well, Stirling has taken that premise and twisted it here. What if our modern day society was suddenly bereft of its technology? Anything powered by electricity, batteries, or gasoline suddenly useless? Gunpowder chemically altered to loose its highly explosive tendencies?
What would society do, without irrigation and machinery to run the massive farms, without refineries, and trucks, and refrigeration?
With six billion people on the planet, the resulting chaos is not at all cheerful. We never actually see the savage toll in a city larger than Portland (and even there not directly), but allusions to what it must be like in New York or Tokyo, and to what happened in St. Louis say plenty.
The story unfolds brilliantly, as people slowly begin to band together, and struggle to survive in this new world. They must learn how to farm, ride horses, make weapons, and then use them. And Stirling does an excellent job portraying the difficulty of each, with a particularly inspired source of metal for swords.
This book is one part nightmare, one part medievalist's fantasy, which makes its villain all the more fitting.
If you're wavering, pick up a copy, it's well worth the read.
41 of 49 people found the following review helpful.
The Fire's Not the Only Thing Dying
By hittingthebooks.com
I'm a big fan of alternative history-Harry Turtledove's Guns of the South got me interested in the genre. I'd read S.M. Stirling before (Conquistador, The Peshawar Lancers) and really enjoyed him. So when I started his Nantucket series, I was expecting a good read. Which they are, and aren't. The premise of the Nantucket series is that the island of Nantucket is inexplicably hurtled back in time to the Bronze Age. The Islanders must figure out how to survive and interact with this strange new world.
Dies the Fire is a companion novel to the Nantucket series. You needn't have read the trilogy to understand what's going on-it just lets you in on a few characters mentioned in the other books. Dies starts the night of The Event, when Nantucket disappears (tho' these characters don't know that) and suddenly anything remotely electrical stops working. Batteries die, cars won't run, even gunpowder won't explode any more.
The hero, Mike Havel, is a bush pilot flying a rich family to their place in Idaho when their plane just quits mid-air. He manages to bring the plane down in one piece, but the mother is injured pretty badly. After discovering that nothing works, the party sets off in search of help/civilization. They've got two things going for them-Mike is a combat veteran and knows how to survive in the woods, and the youngest daughter, Astrid, is a fantasy-loving Tolkien freak who has her own extremely well-made bow and arrows, and knows how to use them.
Meanwhile, in Corvallis, Oregon, Juniper MacKenzie, a folk-singer/Wiccan priestess is performing in a tavern when there is a blinding light, and then all is dark. Except for the fires flaming out of control from a 747 that crashed in the middle of town. Juniper, her deaf daughter Eilir, and their friend Dennis realize something very wrong has happened, and head for the hills, literally.
The rest of the book is how the two groups grow in size, try to avoid plague, cannibals, and mad warlords, and eventually come together. A pretty good tale of survival.
But while the plot is sound, the whole book felt strained. One of an author's goals should be for the reader to connect with his or her characters. And I just couldn't. I cared very little for what happened to Mike, Juniper, or any of the numerous supporting cast. I think the only one I really felt anything for was Astrid, and that's mainly because I'm a Tolkien freak too.
Also, I understand that, in a post-apocalyptic world such as this, life is going to be mean, nasty, brutish, and short. But I don't need explicit descriptions of this every other chapter (sometimes every chapter). Most of the people who die (and trust me, a lot of people die), do so in extremely horrific ways, which the author seems to spend entirely too much time describing to the reader. Between the cannibals and sadistic biker (bicycles, not motorcycles) gangs, there's a lot of raping, blood, and body parts. And chalk it up to me being a new mother, but I got awfully tired of hearing about children being killed or dying in other ways. Maybe once, ok. Too often, and I started just skipping whole sections of chapters. I don't read horror novels for a reason.
Finally, there's the whole Wiccan storyline, which after a while started to sound more like proselytizing than part of the story. All the good guys are either agnostic/atheistic or pagan, the Christians are all bigots, or lapsed. Even the sole Buddhist ends up joining Juniper's coven. As for the epilogue, that just got a little too out-there, causing me to ask myself, "Is this book about an alternative history, or swords-and-sorcery fantasy?"
In the end, I'm not sure I can recommend this book. It left a rather sour taste in my mouth and mind. The Peshawar Lancers, sure (at least, I don't remember it being this gruesome), even Conquistador.
But let Dies the Fire die out on the bookshelf.
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